许愿池· 时空之镜

此作以陆颖独创的「Nouveau Deco」美学凝练中世纪喷泉的永恒诗意，将喷泉"生命之水"的纯净象征与坦桑石的灵动光泽完美交融——三层渐变珠串如垂落的水帘般层叠流动，其由浅至深的蓝紫色泽仿佛承载着从古罗马泉池到巴洛克园林的时空记忆；许愿池造型扣头以18k白金与钻石精心构筑，栩栩如生地再现了喷泉向上喷涌的动能与向下垂落的韵律。水无定形，建筑有格——此作以洛可可的轻盈承载哥特的骨骼，将理工的精确淬炼为诗的流动，是陆颖对"东西共筑"的又一次革新实践，让中世纪喷泉的永恒象征在当代珠宝中焕发新生。
Fountain of Wishes · Mirror of Eternity

This piece embodies Lu Ying's "Nouveau Deco" philosophy, translating the medieval fountain—a symbol of primordial purity and the "Water of Life"—into a contemplative object. The rhythmic gradation of Tanzanite Beads flows like a cascading veil, capturing not merely water’s form but its eternal return, bridging Roman basins and Baroque gardens in one continuous strand. The clasp, sculpted in 18k white gold and diamonds, renders the fountain’s opposing motions—the ascent as aspiration, the descent as quietude—into an architectural vignette. Water has no constant form, yet architecture gives it voice. Here, Rococo delicacy meets Gothic structure; engineering precision dissolves into poetic intuition. In this work, Lu Ying does not merely adorn—she composes a dialogue across time, rekindling the medieval fountain’s spiritual resonance within the language of contemporary art.
 

PRIVAGUER的这件粉色碧玺串珠作品，以超过200克拉的宝石体量，超越了珠宝作为装饰的固有范畴，成为一场贯穿东西方美学与宇宙观的深度对话。作品并非简单并置文化符号，而是以莫卧儿雕刻艺术为共通语汇，有机融汇了希腊文明的理性精神、欧洲新艺术运动的自然浪漫，以及当代高级珠宝的审美理念。

莫卧儿王朝的经典花卉纹样，融合了西方几何秩序与印度自然主义风格，在此被转化为连续而富有节奏的雕刻语言，运用于整串粉色碧玺珠体之上。设计师陆颖并未止步于历史复刻，而是对传统纹饰进行当代“转译”，使其成为串联不同文化内涵的语法结构，呼应了国际当代艺术中“文化采样与重组”的创作理念。
整件作品以柔美浓郁的粉色碧玺做基调，在东方传统中象征情感与祥瑞，在西方语境中则承载着浪漫与生命力。碧玺珠体经由精确雕刻，呈现出“穹顶式弧面”或“绽放之蕊”的意象，既呼应东方对自然形态的崇敬，亦暗合西方对理想形式的追求。

作品在结构上以严谨的镶口与金属框架统摄整体形态，将感性奔放的碧玺流苏收束于理性的架构之中，形成一种“理性包容感性”的视觉张力。陆颖在此扮演着“文化炼金师”的角色，将东方纹样、西方美学与跨地域的珍稀矿石，通过卓越工艺融炼为一件具有普世意义的当代艺术珠宝。
因此，这串粉色碧玺珠串不仅是佩戴于身的珍宝，更是一则流动的视觉哲思。它以莫卧儿纹样为纽带，将东方的自然观与西方的形式美学相联结，在理性结构与感性表达之间达成平衡，最终构建出一个完整而深具意蕴的艺术实体。

PRIVAGUER's beaded pink tourmaline piece, featuring over 200 carats of gemstones, transcends conventional adornment to become a profound dialogue between Eastern and Western aesthetics and worldviews. Rather than merely juxtaposing cultural symbols, the work employs Mughal carving artistry as a universal vocabulary, organically integrating the rational spirit of Greek civilization, the natural romance of the European Art Nouveau movement, and the aesthetic philosophy of contemporary high jewelry.

The classic floral motifs of the Mughal era, blending Western geometric discipline with Indian naturalism, are translated into a rhythmic carved language applied throughout the strand of pink tourmaline beads. Designer Lu Ying moves beyond historical replication, executing a contemporary "translation" of traditional patterns that serves as a grammatical structure connecting diverse cultural connotations—echoing the concept of "cultural sampling and remixing" in international contemporary art.

The piece is characterized by its soft yet intense pink hue, symbolizing emotion and auspiciousness in Eastern tradition while embodying romance and vitality in Western context. The tourmaline beads are precisely carved to evoke imagery of "domed arcs" or "blossoming stamens," reflecting both Eastern reverence for natural forms and Western pursuit of idealized geometry.

Structurally, the composition is unified by meticulously set mounts and a metal framework that contains the expressive tourmaline fringe within a rational architecture, creating a visual tension characterized as "reason embracing emotion." Lu Ying acts as a "cultural alchemist," synthesizing Eastern motifs, Western aesthetics, and precious minerals from across regions through exceptional craftsmanship into a contemporary artwork with universal significance.

Thus, this pink tourmaline strand is not merely an object of personal adornment, but a flowing visual philosophy. Using Mughal patterns as a connective thread, it links Eastern perspectives on nature with Western formal aesthetics, achieving balance between rational structure and emotional expression to ultimately construct a complete and profoundly meaningful artistic entity.

这件珠宝以35.72克拉阿富汗卢比莱碧玺雕刻件为核心，演绎阿布扎比建筑的几何线条与Art Deco美学。
黑色珐琅勾勒出现代轮廓，钻石点缀其间。作品提供多种佩戴方式，将地标气韵化为流动的粉红光芒，
尽显摩登与珍藏价值。
At its heart is a 35.72-carat Afghan rupee tourmaline carving, interpreting the geometric lines and Art Deco 
aesthetics of Abu Dhabi's architecture. Black enamel outlines a modern silhouette, adorned with diamonds. 
The piece offers multiple ways to wear it, transforming the landmark's essence into flowing pink light, 
showcasing both modern style and collectible value.